| Role | Voice Part | Classification |
|---|---|---|
| Louise / Betty | Soprano | L |
| Street / Elijah Muhammad | Tenor | L |
| Malcolm X | Baritone | L |
| Queen Mother / Ella | Mezzo Soprano | F |
| Reginald | Bass-Baritone | F |
| Young Malcolm | Treble | S |
| Social Worker / Reporter #1 | Soprano | S |
| Cop / Reporter #2 | Tenor | S |
| Ensemble | ||
| Soprano #1 / Neighbor | Soprano | S |
| Soprano #2 | Soprano | S |
| Alto #1 | Alto | S |
| Alto #2 | Alto | S |
| Tenor #1 / Postman | Tenor | S |
| Tenor #2 | Tenor | S |
| Tenor #3 | Tenor | S |
| Tenor #4 | Tenor | S |
| Baritone #1 | Baritone | S |
| Baritone #2 / Friend | Baritone | S |
| Bass #1 / Garvey Preacher | Bass | S |
| Bass #2 | Bass | S |
| Please be advised: Contact AGMA for classification if you are combining roles, and/or for classification of unassigned lines, and/or for classification of any combination of Chorus and Solo bits from what has been performed previously. | ||
| If your company is planning a production, please reach out to AGMA well in advance of casting so that we may discuss considerations essential to an equitable production. This is especially necessary if you plan to use the ensemble for solo roles. | ||
| Minimum Chorus: The Ensemble is the Chorus |
Schedule C