| Role | Voice Part | Classification |
|---|---|---|
| Ophelia | Soprano | L |
| Gertrude | Mezzo Soprano | L |
| Hamlet | Tenor | L |
| Claudius | Bass-Baritone | L |
| Rosencrantz | Countertenor | F |
| Guildenstern | Countertenor | F |
| Polonius | Tenor | F |
| Laertes | Tenor | F |
| Horatio | Baritone | F |
| Player #2 | Tenor | S |
| Player #3 | Tenor | S |
| Marcellus/Player #4* | Baritone | S |
| Ghost/Gravedigger/Player #1* | Bass | S |
| Semi-chorus:** | Sopranos (2) | S (2) |
| Altos (2) | S (2) | |
| Tenors (2) | S (2) | |
| Basses (2) | S (2) | |
| * Role doublings are as indicated in the score | ||
| ** As indicated in the score, the Semi-chorus is placed among the instrumental players in the orchestra pit. The Semi-chorus divides into eight parts (one per part) throughout much of the opera. | ||
| Please be advised: Contact AGMA for classification if you are combining roles, and/or for classification of unassigned lines, and/or for classification of any combination of Chorus and Solo bits from what has been performed previously. | ||
| Minimum Chorus: 32 | ||
| Divisi: SATB | ||
| Chorus Notes: The Chorus is on-stage throughout the opera. |
Schedule C