| Role | Voice Part | Classification |
|---|---|---|
| Julie | Soprano | L |
| Omar’s Mother | Mezzo Soprano | L |
| Omar | Tenor | L |
| James Owen | Baritone | F* |
| Little Daughter (Eliza) | Mezzo Soprano | S |
| Auctioneer | Tenor | S (Act/Scene: I/3) |
| Omar’s brother Abdul | Baritone | S |
| Johnson | Baritone | S* |
| Katie Ellen / The Caller | Mezzo Soprano | S** |
| Taylor | Tenor | B |
| Amadou (Shackled Man #1) | Tenor | B (Act/Scene: I/2) |
| Olufemi (Shackled Man #2) | Baritone | B (Act/Scene: I/2) |
| Suleiman (Shackled Man #3) | Baritone | B (Act/Scene: I/2) |
| Man to be Sold (Abe) | Baritone | B |
| Slaver #1 | Baritone | CB (Act/Scene: I/2) |
| Slaver #2 | Tenor | CB (Act/Scene: I/2) |
| Woman #1 | Mezzo Soprano | CB (Act/Scene: I/2) |
| Woman #2 | Soprano | CB (Act/Scene: I/2) |
| Woman #3 | Mezzo Soprano | CB (Act/Scene: I/2) |
| Woman #4 | Soprano | CB (Act/Scene: I/2) |
| Man #1 | Baritone | CB (Act/Scene: I/2) |
| Man #2 | Tenor | CB (Act/Scene: I/2) |
| Man #3 | Baritone | CB (Act/Scene: I/2) |
| Man #4 | Tenor | CB (Act/Scene: I/2) |
| Man in the Crowd | Baritone | CB (Act/Scene: I/3) |
| Slaver | Baritone | CB (Act/Scene: I/3) |
| Enslaved Woman #1 | Mezzo Soprano | CB (Act/Scene: I/4) |
| Enslaved Woman #2 | Mezzo Soprano | CB (Act/Scene: I/4) |
| Enslaved Man | Bass | CB (Act/Scene: I/4) |
| Woman #1 (Mary) | Mezzo Soprano | CB (Act/Scene: I/4) |
| Woman #2 (Tess) | Contralto | CB (Act/Scene: I/4) |
| Man #1 (Renty) | Tenor | CB (Act/Scene: I/4) |
| Man #2 (John) | Baritone | CB (Act/Scene: I/4) |
| Laborer Woman #1 | Mezzo Soprano | CB (Act/Scene: II/1) |
| Laborer Woman #2 | Soprano | CB (Act/Scene: II/1) |
| Laborer Man #1 | Tenor | CB (Act/Scene: II/1) |
| Laborer Man #2 | Baritone | CB (Act/Scene: II/1) |
| Sally | Mute role | *** |
| Abe’s son | Mute role | *** |
| * Combined role as suggested in the score. Should the two roles be sung by one Artist, the classification would be Leading. | ||
| ** Combined role as suggested in the score. Should the two roles not be combined, please contact AGMA to discuss the classification. | ||
| *** The classification will depend on the production being staged. | ||
| Please be advised: Contact AGMA for classification if you are combining roles, and/or for classification of unassigned lines, and/or for classification of any combination of Chorus and Solo bits from what has been performed previously. | ||
| Minimum Chorus: 32 | ||
| Divisi: SATB |
Schedule C